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IB & A level

English Literature lessons

A level & IB English Literature: close reading, context, comparison, and essay craft across prose, poetry, and drama.

Key topics

  • Close reading & language
  • Poetry analysis
  • Prose & the novel
  • Drama & performance
  • Context & criticism
  • Comparison & essay craft

Lesson course

Work through each lesson, run the interactive practice, and tick it off as you go.

1. Reading closely

Skills

3 lessons

Language & imagery

Analyse diction, imagery, and connotation precisely.

Close reading means showing how specific words create meaning. Comment on connotation, imagery (metaphor/simile), and tone — not just spotting devices.

Annotate one passage for three deliberate language choices.

Form & structure

Explain how form and structure shape meaning.

Form (sonnet, novel, tragedy) and structure (order, pacing, turning points) guide response. Note shifts, juxtaposition, and where emphasis falls.

Map the structure of one text and its effect on the reader.

Tone & voice

Identify narrative voice and tone with evidence.

Voice is who speaks and how; tone is the attitude conveyed. Distinguish narrator from author, and track how tone shifts within a text.

Compare the voice in two short extracts.

2. Poetry

Genre

3 lessons

Reading a poem

Build an interpretation from language, form, and sound.

Read for meaning first, then how sound (rhythm, rhyme, enjambment) and form support it. Always tie technique back to effect and theme.

Write one paragraph analysing a poem's central image.

Imagery & symbolism

Interpret extended metaphor and symbolism.

A symbol stands for an idea beyond itself; an extended metaphor sustains a comparison. Argue interpretations and acknowledge alternatives.

Trace one symbol through a whole poem.

Comparing poems

Compare two poems' methods and concerns.

Comparison means integrating texts: similar concern, different method. Use connectives (whereas, similarly) and quote both sides in the same paragraph.

Plan one comparative point with linked quotations.

3. Prose

Genre

3 lessons

Narrative & character

Analyse characterisation and narrative perspective.

Characters are constructed: consider what they say/do, how others react, and narrative perspective (first vs third person, reliability).

Explain how one character is constructed through method.

Theme & setting

Link setting and theme to authorial purpose.

Setting creates atmosphere and can embody theme (e.g. decay, class). Connect description to the writer's wider purpose and context.

Explain how setting develops one theme in your novel.

Whole-text argument

Sustain a thesis across a novel.

A strong essay has a clear thesis answering the question, supported by selected evidence from across the whole text, not just one chapter.

Draft a thesis statement answering one essay question.

4. Drama

Genre

3 lessons

Dramatic methods

Analyse stagecraft, dialogue, and dramatic irony.

Drama is written to be performed: consider stage directions, dialogue, asides, and dramatic irony (audience knows more than characters).

Explain one moment of dramatic irony and its effect.

Tragedy & comedy

Apply genre conventions to a play.

Tragedy often follows a flawed protagonist to a downfall (hamartia, catharsis). Comedy moves toward resolution/marriage. Use conventions as a lens, not a checklist.

Map one play against its genre conventions.

Performance & interpretation

Consider how staging choices shape meaning.

A play's meaning shifts with performance: casting, set, pace, and emphasis are interpretive choices you can argue about with evidence.

Suggest two staging choices for one key scene and justify them.

5. Context & criticism

AO3/AO5

3 lessons

Historical & social context

Use context to deepen, not replace, analysis.

Context (AO3) should illuminate the text — link historical/social/literary background to specific choices, rather than bolting on biography.

Add one contextual point to an existing analysis paragraph.

Critical perspectives

Apply critical lenses (e.g. feminist, Marxist).

Critical theories offer lenses (feminist, Marxist, psychoanalytic). Use them to open alternative readings (AO5), always grounded in the text.

Read one scene through two different critical lenses.

Using evidence

Embed quotations and analyse them.

Embed short quotations within your own sentences and analyse the language — never drop a long quote without comment.

Embed three short quotations smoothly into sentences.

6. Essay craft

Skills

3 lessons

Planning an essay

Plan a focused, argument-led response.

Plan before writing: turn the question into a thesis, choose 3 strong points, and pick evidence for each. Argument beats feature-spotting.

Plan one essay: thesis, three points, evidence.

Writing with precision

Use accurate terminology and clear expression.

Write concisely, use accurate critical vocabulary, and make each sentence advance the argument. Vague claims lose marks.

Redraft one paragraph for precision and terminology.

Timed essay

Write a full essay to time and self-assess.

Spend a few minutes planning, watch the clock per question, and leave time to check. Mark against the assessment objectives afterwards.

Write one timed essay, then mark it against the criteria.

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